03 October 2011
in praise of something real...
In those instances when I have pushed my mind out of the way and acted on an impulse, lonely, delightful or otherwise, I have been happiest. Many enthusiasms have taken me over and when I gave way to them I learned something invaluable. Lately, important psychic real estate has been occupied by a single insistent idea: hand-spinning the lofty fleece of sheep. Naturally, when I learned that a spinning workshop was taking place this past weekend at the Vermont Sheep and Wool Festival I had but one thought: Carpe Diem.
I drove to Tunbridge, Vermont to take a class with Patty Blomgren, a spinner from East Dummerston. The class was designed for beginners - no experience necessary, nor do you need to own sheep! - which was good, as I have neither. It was my first encounter with a spinning wheel, apart from Walter Crane's illustrations for the tale of the forlorn miller's daughter and that capitalist imp, Rumpelstiltskin. Patty urged us to "start treadling and don't stop", which meant removing our shoes and continually pumping the treadle - the thing that makes the wheel spin - and it's not as easy as you might imagine.
Trial and error time. Eventually, I got it, I could make the thing spin. I challenged myself to keep the movement consistent, to create smooth, unhesitating revolutions of the wheel. Eight workshop participants made eight wheels twirl in fluid rotation while Patty laid out an immense Shetland fleece and explained how, when shopping for shorn wool, one ought to be on the qui vive for stray tags of sheep poo and undesirable accumulations of "vegetable matter". The class was only three hours long, so the business of cleaning the fleece was covered fairly quickly, but I will say that having read a bit about this painstaking process which rids the fleece of dirt, dye, manure, sheep dip, grease, vegetation and sheep sweat, I know it requires an elegant and respectful solemnity and for me, there is something irresistibly counter-culture about that. Unfashionable as I may be, I despair of the carelessness that is the byproduct of our moment's manic hyper-acceleration. The meticulous nature of this process necessarily resists that warp speed imperative.
By the end of the day you will be putting yarn onto the bobbin, admiring your first skein of yarn and leaving with the confidence to continue spinning on your own! Whatever you say, Patty. The end of the day was beginning to loom so we were provided with prepared fleece and given general instruction on how to turn it into yarn. Like every other thing worth doing, it is only learned by doing it badly then doing it slightly less badly until you finally do it a little less badly than that. Someone new entered the room, a tall man. He sat down next to me. If you yearn to experience the kind of compressed focus that reduces every exterior detail to muddy imprecision, or a form of concentrated energy so powerful that you should really be able to forge diamonds with it, hand-spinning is the thing. I think he said something about the yarn I was spinning, how it looked like ... yarn. This much I remember: I was in a trance and I said, "I'm in a trance, I don't know what I'm doing, I'm just doing it". I don't know what I'm doing, I'm just doing it. Right now, having produced, in a trance, nearly 61 yards of perfectly knittable, albeit occasionally slubby yarn from the lofty wool of a Romney sheep, I can think of no better counsel than that. There is an unmatched pleasure in not knowing what you are doing, but pressing on anyway.
24 August 2011
ghosts of gone birds...
You may know that delightful Thomas Hood poem that ends,
No warmth, no cheerfulness, no healthful ease,
No comfortable feel in any member--
No shade, no shine, no butterflies, no bees,
No fruits, no flowers, no leaves, no birds,
November!
Fair enough, but I like November, and if it were November and I found myself fortunate enough to be in London, I would immediately make a point of visiting the Ghosts of Gone Birds exhibit sponsored by Birdlife International, a coalition of conservation organizations whose aim is to promote the conservation of birds and their habitats. The multimedia art exhibit focuses on the artistic resurrection of extinct bird species through the collaborative efforts of more than 80 artists. The project's aim is to raise awareness for BirdLife International's Preventing Extinctions Programme. Birdlife's current statistics show an alarming increase in bird extinction: over the last 30 years, 21 species have disappeared and 190 have been classified as critically endangered.
The London exhibit will be on view the 2nd through the 23rd of November. For those who can't get to London - take heart; the event's organizers have hopes for an international tour.
You can read the Guardian article about the exhibit here.
As for that joyfully affirming poem...
November
by Thomas Hood
(1799 - 1845)
No sun--no moon!
No morn--no noon!
No dawn--no dusk--no proper time of day--
No sky--no earthly view--
No distance looking blue--
No road--no street--
No "t'other side the way"--
No end to any Row--
No indications where the Crescents go--
No top to any steeple--
No recognitions of familiar people--
No courtesies for showing 'em--
No knowing 'em!
No mail--no post--
No news from any foreign coast--
No park--no ring--no afternoon gentility--
No company--no nobility--
No warmth, no cheerfulness, no healthful ease,
No comfortable feel in any member--
No shade, no shine, no butterflies, no bees,
No fruits, no flowers, no leaves, no birds,
November!
No morn--no noon!
No dawn--no dusk--no proper time of day--
No sky--no earthly view--
No distance looking blue--
No road--no street--
No "t'other side the way"--
No end to any Row--
No indications where the Crescents go--
No top to any steeple--
No recognitions of familiar people--
No courtesies for showing 'em--
No knowing 'em!
No mail--no post--
No news from any foreign coast--
No park--no ring--no afternoon gentility--
No company--no nobility--
No warmth, no cheerfulness, no healthful ease,
No comfortable feel in any member--
No shade, no shine, no butterflies, no bees,
No fruits, no flowers, no leaves, no birds,
November!
05 August 2011
04 August 2011
August reading list...
Certainly an eclectic mix. Tom Wolfe's The Painted Word has been recommended to me; I may read that next.
Last weekend, I went to this fantastic exhibit on view until mid-October at the New Britain Museum of American Art. I have now become intrigued by the woodblock prints of Blanche Lazzell. She's not an artist I'm familiar with. At first glance, I didn't care for these prints and dismissed them as quaint. Looking at them more thoughtfully, I'm drawn to her candy colored houses and their rakish rooflines.
Torpedo and Studio, 1920
Roofs, 1919
21 July 2011
now we are Eight...
Today, Foo Foo turns eight. She has lived with me for four years. She is a smart and beautiful purebred Maine Coon with a documented provenance, so to speak, and last year I received her papers from her former human mum. I was thrilled to learn her birthdate and her original name, Peconic Quwtie Pie, and decided to send out birthday announcements to a few cat-loving friends and acquaintances. As is typical of Maine Coons, she is determined to have her own way. Last year, the birthday girl chose to spend the better part of her special day asleep on a porch with her head in a shoe. This year's celebrations may be similarly low-key.
For those not familiar with this breed, the Maine Coon is frequently referred to as a "gentle giant". At around 16 pounds, Foof is a mighty big girl, but to consider her gentle, one must pass helplessly into a dimly lit realm of myth. I learned very quickly that, darling as she is, she can also be bossy, saucy, possessive, and unpredictable. Any thing that you might have, a book, for example, an article of clothing, your keys, becomes hers on a whim and once hers, it is not surrendered graciously. Because her behavior is adamantly contrary to the sweet geniality associated with Maine Coons, I became curious. That led me to genetics.
Here's a color version of the Beastie:
As you can see, she's patched, or blotched, with ginger and grey. Her papers identify her as a "Patched Tabby with White", which is another way of saying she's a Tortoiseshell or Torbie. Although her paws and ruff are white, technically, she doesn't have enough white to be called a Calico which should be at least half white. As many vet techs and veterinarians, shelter workers and loving owners can attest, Foof and those cats whose coats are similar to hers are infamously known as Naughty Torties.
Sometimes it's called "Tortitude". I was actually speechless when her veterinarian, a delightful woman of thoughtful tact and diplomacy, said Foof had "the Demon Gene", a characterization that seemed rather too colorful. I will certainly admit that her behavior can be ... difficult, at times, but I adore her no less for it. To me, she is perfect. In fact, as my perception of her is mired in some thick aspic of love and affection, I think it only enhances her many charms. I'm not alone. A visit to the tortie page of a cat behavior website confirms this with comments like,
"She's a holy terror at the vet's"
or,
"She has strong "preferences" about how things should be done, such as the perfect drip speed for the bathtub faucet. But she is never mean--she's just an independent thinker."
or this,
"I have to admit she does have a bit of tortitude, but it doesn't help that I spoil her. She can be very bi-polar at times. One minute she's purring as you pet her; the next minute she's biting your hand for no apparent reason."
Notice the common theme here: "she". Torties and calicos are normally females. Here's where a rudimentary genetics lesson is useful. Females have two X chromosomes, males have one X and one Y chromosome. Coat color is a sex-linked trait associated with the X chromosome so females inherit two color genes, one from each parent. Males inherit only one. The feline color genes that occupy the X chromosome are identified as either orange, "O" or not-orange, "o". If the female cat inherits only one "O" gene, the non-orange "o" patches will be expressed as some shade of black and her coat has tortoiseshell coloration. The predominant whiteness of calicos is known as "piebalding". It is caused by a white spotting gene which results in large patches of unpigmented fur. Messybeast is a UK based site with lots of good information about feline genetics and many other cat-related topics. For a clear and entertaining explanation about coat color and the story of the genetically anomalous calico male named George, seek out the picturesquely titled, Cats Are Not Peas by Laura Gould.
But what about the tortie reputation for difficult behavior? Is there a connection between coat color and temperament or is this just a byproduct of accrued human prejudice? My research so far has been intriguing. Numerous studies have demonstrated a link between coat color and temperament in cats, dogs, foxes, mink, rats, deermice, and fallow deer. The association does not imply that coat color is responsible for behavior but rather that hormones and neurotransmitters involved in the way an animal experiences stress are closely connected to pigment production. Investigate this site for a more thorough explanation.
Since we know the year but not the exact date of Bob's birthday, I'm choosing to honor him today as well. He is in the initial stages of Chronic Renal Failure, the kidney disease all too common in cats. He is being treated with a product called Rubenal, more familiarly known as medicinal rhubarb root. He is feeling much better.
A postscript: Foof's eight happy cat years equal 48 human years. Bob's age is twice that: 96.
Update: September 2012 findings from a new study on feline genetics reveal that cheetahs and domestic tabbies share a mutation responsible for blotched coat patterns.
13 June 2011
inventory...
As is typically the case, any time I set out to locate some thing I haven't seen for years but think I absolutely must find, I run across another thing, wholly unanticipated and invariably more interesting than the thing I was determined to find in the first place. This time I unearthed a tin that used to contain Grether's Blackcurrant Pastilles, a treasured commodity that in recent years has become so scarce and stratospherically expensive that it will be a long time before I make this a staple of my diet again. Just as well. Inside, I found something perhaps more dear...
...more buttons from my grandmother's collection. I vaguely remember squirrelling these away because they were the few examples that were decorated with animals and they are pretty fantastic. There are some lovely images of fruit and flowers as well.
Beautiful enamel work.
This button strikes me as quite old. The central disk is velvet.
04 June 2011
experiment...
First, one thing needs to be clear: I know nothing about quilting, but I'm fascinated by nontraditional quilt design and some recent visits to contemporary quilting blogs have inspired me to give it a go. Realistically, I can't qualify my rudimentary efforts as "quilting". Better to call it "patchwork" even though "aimlessly sewing together strips of fabric" is really more to the point. I have long admired the work of Denyse Schmidt with her use of striking color combinations and seemingly improvisational piecing. I like that minimal, unfussy look, although I've since learned that her technique is anything but impromptu.
There are two other things that I must admit. 1: I am guilty of the most strenuous and disabling overthinking. It's a self defeating tendency I'm determined to exorcise. 2: I have a substantial cache of fabric that I've collected impulsively without any purpose other than to take home material I really like. None of it is designed to work together, but I seem to have acquired quite of lot of blue, a habit I'm trying to curb.
Here are my first attempts. Those of you who are experienced quilters may feel the need to avert your eyes. But, I have to say, I really enjoyed myself and I'm rather pleased with this first modest effort.
There are two other things that I must admit. 1: I am guilty of the most strenuous and disabling overthinking. It's a self defeating tendency I'm determined to exorcise. 2: I have a substantial cache of fabric that I've collected impulsively without any purpose other than to take home material I really like. None of it is designed to work together, but I seem to have acquired quite of lot of blue, a habit I'm trying to curb.
Here are my first attempts. Those of you who are experienced quilters may feel the need to avert your eyes. But, I have to say, I really enjoyed myself and I'm rather pleased with this first modest effort.
Postscript : This...is...positively...addictive!
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